- AVID MEDIA COMPOSER FOR MAC REVIEWS UPDATE
- AVID MEDIA COMPOSER FOR MAC REVIEWS PRO
- AVID MEDIA COMPOSER FOR MAC REVIEWS SOFTWARE
- AVID MEDIA COMPOSER FOR MAC REVIEWS WINDOWS
AVID MEDIA COMPOSER FOR MAC REVIEWS WINDOWS
Media Composer doesn't list any ATI cards in its system recommendations for Windows and only recommends ATI Radeon cards as supported by Apple on the Mac. Right now, you are better off using NVIDIA graphics cards with Avid.
AVID MEDIA COMPOSER FOR MAC REVIEWS PRO
It doesn't make sense to buy the new Mac Pro until Avid certifies it. With Media Composer the story is quite simple. I suspect that personal preference will play a bigger factor here than real price or performance differences. The only real consideration that's different for Premiere Pro users than Final Cut users is that it may make sense for them to take a look at well equipped Windows machines. The upshot is that Adobe's products play very well with the new hardware and that both Apple and Adobe have further room to optimize their apps to take advantage of GPU configuration.
Larry Jordan also compared performance of Adobe Media Encoder and Compressor on the new Mac Pro and found that there was no clear winner. The hardware is powerful enough that it will just get out of our way, when we’re editing, regardless of your preferred NLE, using media up to 4K and greater in real time, with performance way beyond what a reasonable edit might require. The performance of both Premiere Pro and Final Cut Pro X on this hardware is way more than most people need, most of the time.
His conclusion based on real-world testing:īottom line is that the Mac Pro 2013 is a very fine computer for Premiere Pro CC given an optimized release (mid December 2013, version 7.2.1). Philip Hodgetts did some tests comparing export performance of Adobe Media Encoder and Apple Compressor, as well as some comparative video playback tests between Premiere Pro and Final Cut Pro X.
AVID MEDIA COMPOSER FOR MAC REVIEWS UPDATE
The update also included some enhancements to OpenCL to improve speed and stability, which should help Mac Pro users. The mid December release added the AMD GPUs found in the new Mac Pro to the list of supported GPUs (note that dual GPUs are supported for export, and one is used when playing back). I also suggested waiting awhile to see some real world performance testing from people in the industry.īetween the time I wrote the article and the date it was published, Adobe released a Premiere Pro Creative Cloud Update. In my original post, I suggested that Premiere Pro users wait awhile before upgrading to see what optimizations were required from Adobe to make best use of the dual GPUs. Just make sure you need it before you part with your money.
If you are in this camp, now is probably a good time to buy. All in, you are looking at a grand total between $5,499 and $6,099.įrom what I've read, there haven't been many teething problems for early Mac Pro adopters using Final Cut Pro. Bottom line: multiple stream native RED 4K editing without proxies is practical if you have the storage speed.įor people that need power, but live on a budget, it seems like the 8 core version with 16-32 GB of RAM, the 256 GB SSD (save the money for external Thunderbolt media storage), and the mid to maxed out GPUs are the best bet. Hodgetts' video showing five streams, of native RED R3D 4K files playing simultaneously without rendering, as well as, this quote summarize things nicely.īenchmarks, schmenchmarks: this is the performance I care about. I would place more stock in posts from people in the industry than I would in the raw benchmarks that are the focus of tech publications. Both have great things to say about the system. Larry Jordan has posted a couple articles about his review unit, as has Philip Hodgetts. I suggested that people wait a bit for some real world benchmarks and thoughts from early adopters on which upgrades to spend money on.
AVID MEDIA COMPOSER FOR MAC REVIEWS SOFTWARE
There are some real advantages to working with a fully integrated software and hardware platform. Apple simultaneously released the new Mac Pro and Final Cut Pro X 10.1, so early adopters could enjoy screaming fast performance out of the box. Final Cut Pro X usersįor people who are heavily invested in the Final Cut Pro X workflow, it's a relatively easy timing choice. I've summarized some of the key points below and I've updated the details re: OS availability and software optimization. My conclusion was that it really depends on what NLE you use and what additional tools are part of your workflow. A couple of weeks ago, I published a guest post with Red Shark News that looked at whether people that want a Mac Pro should buy one right now (subject to availability) or wait.
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